Atoms, fractals, DNA form basis for music
By Charles Choi
UPI Science News

NEW YORK, Sept. 1 (UPI) -- An archaeological enigma, fractals and DNA are among the inspirations behind a series of startling music compositions using anything from saxophones to string quartets, in composer Alexander Mihalic's collection of science-based works titled "Encyclopaedia Musicalis."

"Within the structure of the molecules in DNA or different symmetries in crystals, you can find structures for musical compositions," Mihalic told United Press International recently in an interview from Paris. "Every composition of mine is like an article in an encyclopedia, but the knowledge is hidden or shown in a form other than a traditional written article."

When it comes to song names such as "Crystals," one might expect New Age synthesizer pop. But the Czech-born composer uses anything from trombones, percussion and even an instrument of his own making, the multi-pedaled "pedalophone," in his bold and eerily disconcerting avant-garde work.

Each composition finds its roots in science, from atoms -- a trio for flute, cello and piano -- to a chamber orchestra piece based on the ancient relic known as the Phaistos Disk. The enigmatic, 3,500-year-old object was discovered in an ancient palace on Crete in 1908 and is inscribed with a spiraling band of 241 cryptic hieroglyphs that may represent anything from a sacred hymn to a geometric proof.

"I saw the Phaistos Disk in the Iraklion Archaeological Museum in Crete and it was like a bolt of lightning for me," Mihalic said. "Everybody knows that there is something comprehensible on it, but nobody knows what exactly. You can look at the disk like an object of art or like an object for scientific research. Everybody can interpret the disk following their own desires."

In future, Mihalic plans interactive multimedia computer works that allow listeners not only to analyze his music but to participate in its composition.

"The goal of this project is to integrate knowledge from different fields of science into the compositions and at the same time allow the end user to explore this knowledge in his own way," Mihalic said. "When we look at the sunset we admire the colors, but for the physicist it's also diffraction of light. The same thing can have lots of faces."

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